Fastest draw in the West (as far as softboxes are concerned)

 

Seriously, how many softboxes have you used that you can throw at the light to mount it? That’s our new Model 129, sized to fit those rectangular panels a little smaller than a 1×1, such as the Aputure LS1 pictured here.

What do I love about the Model 129?  One cool thing is that it comes with a second diffusion layer, so you can go a little heavier or a bit lighter on the diff, depending on your lighting situation.

It’s our biggest softbox so far, but its not actually a much larger volume of air than our Model 1×1, since only the perimeter of the model 129 is inflated.

Just like our other softboxes, the Model 129 is affordable at 65$, flight-kit friendly because they fold and pack any which way, and they make the light look much better on people.

 

They’re available at Amazon, B&H, and here at our site.

Images of people lit by LED panels with Airbox Inflatable Softboxes on them

People ask me, so why an  Airbox? What’s it do?  This post is long overdue, some work samples of shooting I’ve done using just LED panels and Airboxes. It is notable that much of the time I light with my panels and Airboxes, I do use an extra layer of diffusion in the front pocket when I don’t need all the output and I do want it a bit softer. Good thing precut gel + diffusion kits are available to fit our softboxes then!

 

woman-lit-by-arbx-only-2

Lighting used: 2 1×1 Litepanels with Airbox Model 1×1 Softboxes with extra sheet of diffusion in front sleeve and eggcrates), Switronix TorchLED with Airbox Macro, Dracast 160 with Airbox Macro kit with eggcrate

BTS of above image

BTS of above image

Lighting used: Flolight 512 with Airbox Model 126 with 250 in front sleeve, background lit with kinos

Lighting used: Flolight 512 with Airbox Model 126 with 250 in front sleeve, background lit with kinos

girl-elbow-shadow-detail-2

Lighting used: Dracast 1000 LED panel with an Airbox Model 1×1 softbox on it, with additional layer of diffusion in front sleeve. Blue backlight is a Flolight microbeam 512 with an Airbox Model 126 on it.

BTS of the previous closeup.  With Art Adams

BTS of the previous closeup. With Art Adams

Shot with two 1x1 Panels  with Airbox Model 1x1 as a key, Flolight 512 with Airbox Model 126  softbox as backlight

two 1×1 Panels with Model 1×1 softboxes as a key, Airbox Macro/dracast 160 LED as backlight, bounced Flolight 512 fill

More lighting and camera gear 2014: FS7, Sourcemaker blanket, Twintube Dolly, Gruvgear Muver

New lighting and camera equipment from 2014 that bears mention:

Sony’s Fs7 has been one of the most ballyhooed releases this year. I recently got the chance to do some testing Adam Wilt and Art Adams. Adam Wilt wrote some thorough articles about it which are worth reading. I’m looking forward to reading Arts writeup when its done, but here’s my really quick .02 – like the smarty handgrip. All those controls you can operate without taking your eye of the eyepiece! I was also very impressed with the dynamic range. S-log 3, we were actually short of hard pressed to create an indoor situation that exceeded what camera could still resolve. Granted,  our biggest light was an 800 joker, but it was still impressive that the camera could still see detail on the t/45 white curtains where the beam of light was hitting them as well as in the unlit T/1 patch of dark wood in the foreground, about eleven stops apart.  We’ll wait and see the actual test results though once Art has done the edit.
60Sony FS7, test shoot w/Art Adams and Airbox Lights
Sourcemaker inflatable 4×4 soft source with eggcrate:
How cool is this?  It’s like a 4×4 diffusion frame with a light behind it, except there’s no light behind it! Seems ideal for tight spaces.  I do think you need a pump or helium tank to blow it up; I think you’d turn blue and faint, trying to inflate this by mouth. These are the same people who make the large helium filled balloons you see on big night exterior sets.
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Sourcemaker LED Blanket
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The back and the front of their LED blanket stretched on a 4×4 frame with a diffuser balloon and eggcrate on it.Solid grip twin tube dolly:  this is like an improved version of the ever-popular Dana Dolly, with some significant improvements. Most notable feature is the track: The track breaks down and fits in one case, assembles with no seams between pieces so your frame doesn’t bump when dolly goes over it, and the track is extremely stiff- it doesn’t bow(“smile”) under the weight like the speedrail track of a dana dolly does. The dolly carriage grabs onto the track rather than sitting on top, so the carriage and camera won’t fall off and can be underslung easily. Very nice stuff, but pretty pricey- about 3x as much as a dana dolly setup, in the neighborhood of 4k.

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See also Rigwheels; they’re another cpmpetitor in the field of portable dollies.  Also a good system, less expensive than the twintube, but more than a dana dolly.
Bagolite:
Its a giant inflatable tube that mounts to the front of a medium/large HMI par like a 4k or 6k par.  It makes a giant glowing sausage that you only have to support at one end. It definitely was eyecatching.  I could see that being useful in some situations. If you needed to arm out a large bright soft source and weren’t able to support the far end because the stand would be in frame perhaps?  On their website they show it being used to light a car, which makes sense since it’s would make one long continuous reflection on the curved finish of the car. The massive size of the source is probably the most important feature; to get a single soft source that big could take some significant effort using traditional tools. Still, I’m not holding my breath to see this all the time.
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Plastic apple boxes: So simple! A lot f the best new gear is just that, super simple.  These apple boxes won’t start to splinter and come apart on you, probably won’t show the wear as much as traditional wooden ones.  I was told they were priced approximately the same as normal apples. Plus, you can get them appropriately colored for chroma key work in green, blue, or red. at filmtools.com
******* MISSING PHOTO  *******
Who thought that regular old carts had room for improvement! This is an LA company who make these carts that can be configured lots of different ways, as you see in the video. They originally were making stuff for musicians and bands et al., but bands and shoot technicians have a lot in common. Folds up very small for portability, sets up quickly in loads of different ways. We have a customer group in common: video shooters for whom compactness and portability is essential. I got the chance to use one on a job yesterday, and it was awesome!  Really sturdy and adaptable, but importantly, that center wheels lets it turn on a dime. Red Scorpion LED Maxibrutes: Daylight-balanced large LED heads with output that can compete with a 4k par, but on a single 20 amp circuit! To get that kind of output, they’re set up with arrays of emitters, much like the familiar Maxibrutes, 9-lights fays, and Dinos. Each LED emitter is set into an MR-16-style parabolic refractor, directing all of the light forward.  Some of their smaller units are compatible with Airbox inflatable softboxes. They’re a small startup started by a working gaffer, just like Airbox, but watch out for these lights! That kind of output with such minimal power draw could be a really big deal in days to come.
68Red Scorpion LED maxibrute
69Red Scorpion LED
Other tidbits- Recently discovered that more excellent lights have proven to be compatible with Airbox inflatable softboxes- the BBS area 48 and the Cineo LS and Cineo Maverick! See the full list of lights compatible with Airbox Inflatable softboxes here.